Home » Prime Minister Hun Manet Commits to Preserving Cambodia’s Endangered Art Forms

Prime Minister Hun Manet Commits to Preserving Cambodia’s Endangered Art Forms

by Surya Narayan

In a significant move to protect and promote Cambodia’s rich cultural heritage, Prime Minister Hun Manet has announced the establishment of a special fund dedicated to preserving endangered art forms. Speaking at the “Heirs” meeting with Cambodian artists, the premier highlighted the urgency of safeguarding ancient arts from the threats posed by modern market dynamics and public neglect.

“While the Ministry of Culture and Fine Arts has done extensive work, various factors such as market trends and public disregard have put some art forms at risk. To address these challenges, I am establishing a fund to support the preservation of high-risk art forms,” stated Prime Minister Hun Manet.

The fund will provide an annual support of USD 100,000 to the Khmer Artists Association for five years. This initiative reflects the government’s steadfast commitment to preserving traditional Cambodian arts like Yike Theater and Spoken Theatre, while also fostering innovation and development in the arts sector.

Prime Minister Hun Manet commended the Ministry of Culture and Fine Arts for its efforts in promoting Yike, although he acknowledged that more needs to be done to ensure its widespread appreciation and use. He emphasized the importance of highlighting Cambodia’s intangible cultural heritage and world heritage, inviting the international community to recognize the country’s rich civilization.

Additionally, the premier called for the Khmer Artists Association to collaborate with the Ministry of Culture and Fine Arts and other relevant ministries to establish a code of ethics for artists. “The Khmer Artists Association must work closely with the Ministry of Culture and Fine Arts and relevant institutions to set professional standards and a code of ethics for artists, ensuring their role as cultural role models and influencers,” he stated.

Hun Manet urged artists to create new works that incorporate educational messages, promote social morality, uphold Khmer family values, and adhere to principles of truth and virtue. He stressed the importance of originality, urging artists to avoid plagiarism and ensure their works become lasting legacies for future generations. He also called for content that avoids promoting harmful societal messages or racism, encouraging a focus on innovative, educational entertainment.

Supporting and nurturing young talent is a key component of this initiative. The premier highlighted the importance of training, educating, and encouraging young artists to continue safeguarding Cambodia’s national arts and cultural heritage. He praised senior artists for their mentorship of the next generation, emphasizing the importance of gratitude and respect across generations.

In response to Neak Oknha Mao Chamnan’s request, Prime Minister Hun Manet agreed in principle to provide tax exemptions for the production of cultural works by the Khmer Artists Association. “I will discuss this with the tax authorities to facilitate this initiative,” he assured.

The Khmer Artists Association, established in 2006 and now led by newly elected President Neak Oknha Mao Chamnan, has already initiated significant reforms. Within just three weeks, the association set up a permanent headquarters and engaged experienced artists to discuss management improvements and reform issues.

This comprehensive approach to preserving and promoting Cambodia’s cultural heritage demonstrates the government’s dedication to ensuring that the arts continue to thrive and inspire future generations. The establishment of the fund and the support for the Khmer Artists Association are vital steps towards safeguarding the nation’s invaluable cultural treasures.

As Cambodia progresses, it is evident that preserving its rich cultural heritage remains a top priority, ensuring that both traditional and contemporary art forms continue to enrich the nation’s vibrant cultural landscape.

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